Critical relief efforts are still going on in Florida, Texas, Mexico, Puerto Rico, and elsewhere to recover from September’s series of hurricanes and earthquakes — and this week there’s a way for you to support those efforts just by listening to music! From October 3rd through 9th, AccuRadio is donating 100% of its profits to a variety of hurricane and earthquake relief charities. Listening by you and your colleagues will raise additional money for relief efforts because the more listeners AccuRadio has, the more ad revenues it will generate, and thus the more it will be able to donate. So enjoy the music while you help a very worthy cause! Share with your friends.
Forgive me if, one, this is a repeated notice and two, if I'm mistaken. However, I'm 99.9% sure that what is listed by ragfart as 'I Wish I Could Shimmy Like My Sister Kate The Cotton Pickers Brunswick 2338-A 1922' is in a fact a much later recording by Mugsy Spanier of the same title, in 1939. Here's a YouTube version of the latter for comparison, though anyone familiar knows the recording quality and style cannot be the former: That said, thank you Gathacol Radio, for this wonderful collection. You probably know of Radio Dismuke. This playlist would fool me into believing of get this wonderful station that features 20's and 30's music, on at present.
Only the Girl. A & P Gypsies, Harry Horlick. 1930 Radio Blue Rose. The Cotton Pickers Brunswick 2532-A Victrola VV8-30 1923 I Wana Be Loved By You. Helen Kane (bettty boop) Victor. Musical 'Good Boy 1928 Left All Alone Again Blues. Harry Raderman's Novelty Orchestra His Master's Voice – 216140 Shellac, 10', 78 RPM 1920 That Jazz dance (Everybody Is Crazy 'Bout) Handy's Orchestra of Memphis 78 single Columbia A2419 1917 Ole Miss Rag.
Handy's Orchestra of Memphis 1917 Ace in the Hole? Easybcd 2.2 cnet download. Gresh, Earl & His Gangplank Orchestra The Wang Wang Blues.
The Goofus Five (California Ramblers w Adrian Rollini) Okeh Five Foot Two, Eyes Of Blue (Has Anybody Seen My Girl) Golden Gate Orch. California Ramblers. Vocals by Hall and Ryan Edison Diamond Disc. 1925 Pozzo. Frisco Jass Band, 1917 Sugar Foot Stomp v2. Fletcher Henderson & His Orchestra, (King Oliver) Columbia 2513-D Bluebird B-10247-A 1931 Sing You Sinners. Duke Ellington-Irvin Mills 1930 Somebody's Wrong.
Don Bestor Orchestra 1923 Kansas City Kitty. The Cotton Pickers (Tommy Dorsey, Glenn Miller, Jimmy Dorsey) 1929 Hot Lips The Cotton Pickers 1922 I Wish I Could Shimmy Like My Sister Kate The Cotton Pickers Brunswick 2338-A 1922 I Cried For You The Collegians Victor # 19093-B 1923 The Sheik Of Araby.Clyde Doerr's Club Royal Orchestra Victor batwing record 18831-B, My Cutie Is Due from Two To To. The Clevelanders on Brunswick. Vocal Tom Stacks 1926 Cushion Foot Stomp.?clarence Williams (version)? And his Washboard Five 1927 Zulu Blues Clarence Williams Blue Five (Esther Bigeou contralto) 1926 There'll Be Some Changes Made.
Chicago Rhythm Kings (Muggsy Spanier, Frank Teschemacher, G. Krupa) 1928 I found A New Baby. Chicago Rhythm Kings 1926 Buddy's Habits. Charley Straight and his Orchestra Paramount 1923 Clementine.From New Orleans.
California Ramblers.Golden Gate Orch. I am looking to use this song in a short film but I'm unclear as to whose recording it is. I Shazam-ed the song and it popped up as 'Somebody Stole My Gal' composed by Leo Wood, but there is no more info about the recording.
I would like to obtain official rights to the song (and it says 'public domain' but I'm skeptical that this is actually the case that I can use it without any licensing). If the person who uploaded this collection or anyone else who might have more information on the recording 'stolmgal' track 111 (03:09 play time). Please let me know! And if you know if 'public domain' really means free to use in all replications.
I've downloaded this collection of music recently and enjoy it very much. It contains both well-known jazz standards and some rare stuff. I am fascinated by the Roaring Twenties, and this music allows me to feel the spirit of the epoch. Yes, all these tracks are very old, however, many of them are not just some 'museum pieces' - they are highly enjoyable as they are, despite their considerable age. My only complain is that the uploader didn't give the full names of the songs. I'd love to get more info especially since I am still new to jazz and some of these contracted titles make no sense to me. My favorites from this bunch are: AlexanderWheresThatBand, BennieMotenKaterSt.Rag, Washingtonians-TishomingoBlues, Hot Mama (!), Dippermouth Blues, Washboard Wiggles, llagoose, onlygirl, Ole Miss rag, nickleodeon, dix1step, Eubie Black's compositions etc.
Update Full names and credits for some of the tracks here: 2to2 = My Cutie's Due from Two to Two Today Alexander, Where's That Band? - Parham-Pickett Apollo Syncopators, 12-1926, Chicago, Illinois 4or5x = Four or Five Times (duh! Amdubin over at YouTube has uploaded a video of this song playing on his Radiola 47 - and it sounds great. According to his posted information: Isham Jones: 'Sentimental Gentleman From Georgia' Victor 24099 (recorded in Camden, NJ on 8/17/32 in Jones's first Victor session). Eddie Stone sings the vocal chorus. Commenters add: 'This was recorded at Victor's Camden studio. The original master remains nearly flawless, and if you're able, locate a re-recording.hearing it is like walking back in time.
The speed and precision of this orchestra is astounding. Do a fox trot to this one.
You'll get your heart rate elevated.' 'Isham Jones Big Band from 1932 on Victor. Jones recorded primarily for Brunswick from 1924 - 1931, then switched to Victor with a largely enhanced Band, and hotter arrangements. Gordon Jenkins (of Frank Sinatra fame in the early 1950's after Axel Stordahl) is Jones Orchestrator for all the Victor Sessions and this period not to mention te Full Audio Spectrum sound of the 'New' Othophonic Process, which helped to sell this Radiola/Elecrola Combo. Great sound and Fidelity.'
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Critical relief efforts are still going on in Florida, Texas, Mexico, Puerto Rico, and elsewhere to recover from September’s series of hurricanes and earthquakes — and this week there’s a way for you to support those efforts just by listening to music! From October 3rd through 9th, AccuRadio is donating 100% of its profits to a variety of hurricane and earthquake relief charities. Listening by you and your colleagues will raise additional money for relief efforts because the more listeners AccuRadio has, the more ad revenues it will generate, and thus the more it will be able to donate. So enjoy the music while you help a very worthy cause!
Share with your friends.